Yamanni Chinen-ryū Kobujutsu • 山根知念流古武術

Yamanni Chinen-ryū is a classical martial tradition rooted in the art of Okinawan bōjutsu. Its primary weapon is a cylindrical  measuring approximately 1 inch in diameter and 6 feet long. The kata of Yamanni-ryū are characterized by powerful and fluid motions, giving the impression that the bō is bouncing dynamically. Alongside the bō, extensive practice is devoted to the sai, a three-pronged truncheon. Additional secondary weapons such as the tonfa, kama, and nunchaku are also utilized.

Yamanni-ryū is a lesser-known style that has retained its classical essence and remains relatively unaffected by modernization. According to tradition, Sakugawa "Tōdi" Kanga (1733-1815) introduced this art from China to Okinawa in 1762. It was then passed down through three generations of the Chinen family before reaching Kishaba Chōgi Sensei (1934-2017) and eventually Oshiro Toshihiro. Yamanni-ryū employs advanced body mechanics and centerline theory, distinguishing it from today’s more commonplace karate styles. It offers valuable insights into the original movements and techniques of both armed and empty-handed martial arts within Okinawa, making it suitable for practitioners of all experience levels.

Bōjutsu refers to the techniques associated explicitly with the bō, including swinging, slashing, and thrusting.

Saijutsu refers to the techniques of the sai, which are three-pronged metal truncheons often wielded in pairs.

Bōjutsu • 棒術

Dōnyū no Kun Ichi • 導入の棍一
Dōnyū no Kun Ni • 導入の棍ニ

Chōun no Kun Sho • 趙雲の棍小
Chōun no Kun Dai • 趙雲の棍大
Ryūbi no Kun • 龍尾の棍

Sūji no Kun Sho • 周氏の棍小
Sūji no Kun Dai • 周氏の棍大
Sakugawa no Kun • 佐久川の棍
Shirataru no Kun • 白樽の棍
Tomari Shirataru no Kun • 泊白樽の棍
Yonegawa no Kun / Hidari Bō • 米川の棍 / 左棒

Saijutsu • 釵術

Kihon Kata Ichi / Shimabukuro no Sai Ichi• 基本形一 / 島袋の釵一
Kihon Kata Ni / Shimabukuro no Sai Ni • 基本形ニ / 島袋の釵ニ
Nakandakari no Sai • 仲村渠の釵
Kyan no Sai
• 朝徳の釵
Kishaba no Sai Sho • 喜舎場の釵小
Kishaba no Sai Dai • 喜舎場の釵大

“The connection between karate and bujutsu is very deep.”

“In sports karate, the movements must be easy to see, so they can be judged in competition. In traditional karate, there is no judge, movements are minute and hard to discern.”

- Oshiro Toshihiro